PASTIFICIO CERERE FOUNDATION - ARTISTS AND INDUSTRIAL ARCHEOLOGY
                                                                                                                                                                     Italian sabato
“Without respect due to the optical and Euclidean physics, Elia Sabato revises the sense of the artistic image by the valorization of the unstadiness” of the human look, a look that always becomes hostage of the times, of these confused and solitary times, where what you are see or believed to see is not and ', what you think or tried to think there is not '.

Occhioinganna and the mind tries to fill up the deceit and the swindle with different visions, turning aside, psychical, sometimes congenital, where everyone sees or believes to see what it is but it is not '. The game is swift and incisive, deep and cautious.

In a time where the weak thought “is now exhausted in the quickness' - short thought - it exists some artists who make the thought as form of art and the art as ' substantia' of the thought, waiting the long one”


Title:
Etnia di un Angelo
Dimension (cm):
120x129
Technique:
Glazed acid and fusion on iron
Year:
2002




Title:
Senza titolo
Dimension (cm):
66x99
Technique:
Sintetic and fusion on iron
Year:
2003




Title:
Senza titolo
Dimension (cm):
190x147
Technique:
Sintetic and fusion on iron
Year:
2003




Title:
Cosa fare?!
Dimension (cm):
95x85
Technique:
Emery acid and fusion on iron
Year:
2003